
ONU News
Brasília recebe última etapa do Cine Migração com oito filmes e atividades culturais
Coverage of the final Cine Migração programme, which included Libertai at Cine Brasília.

Independent documentary
A documentary by Bill Szilagyi about art, politics, society and identity across the African continent, guided by the voice of Zambian artist Crawford Mandumbwa.
The film
Crawford Mandumbwa is a Zambian artist based in Francistown, Botswana. In Libertai, he speaks about African politics, society, art and culture, while reflecting on the social vulnerabilities that affect different parts of the continent.
The film chooses to listen before it tries to explain. Crawford is not used as an illustration for a thesis created elsewhere. His experience as an artist, graphic designer, photographer and educator shapes the narrative and provides a personal perspective on survival, creativity and social change.
Filmed during an independent 25-day journey through Botswana and parts of South Africa in 2015, the short documentary was completed in 2019. It runs for 19 minutes, its original language is English, and Portuguese and Spanish subtitles are available.

19 minutes, original language English
Crawford Mandumbwa speaks openly about African politics, society, art and culture. By connecting his personal journey to the social challenges present across the continent, the artist reflects on identity, resilience and the transformative power of art.
The documentary follows this conversation without trying to reduce an entire continent to simple answers. The result is a short film about creativity, belonging and the ability to imagine possible futures.

Voice and perspective
Born in Zambia and based in Botswana, Crawford Mandumbwa works across painting, graphic design, photography, multimedia and 3D modelling. He has also taught visual arts and taken part in community art projects in and around Francistown.
His work draws on everyday life and on people’s ability to adapt, create and survive. This perspective guides Libertai. Rather than treating art simply as an object, the film approaches it as a language, a form of memory and a tool for transformation.
Recognition
Five awards recorded by the production.





Festival journey
The laurels preserve a visual record of the film’s journey. The list makes that history accessible.


























Press and festival circuit
Eleven records preserve part of the film’s journey through showcases, festivals and press coverage.
The clippings below belong to the production archive. When an original address is no longer available, we identify an archived version, equivalent coverage or the unavailable link.

ONU News
Coverage of the final Cine Migração programme, which included Libertai at Cine Brasília.

Agência Brasília
The original Agência Brasília link is no longer available. Equivalent coverage preserves the record of the screening.

Alfil
The clipping records Libertai at the Global Migration Film Festival. The original domain is unavailable.
Original link unavailable

Portal Gaz
A presentation of films screened at the Santa Cruz Film Festival, preserved by the Internet Archive.

TV Zoom
Coverage of the eighth FRICINE edition, with Libertai among the films in the programme.

Nações Unidas Brasil
A United Nations Brazil publication about the Cine Migração programme at Cine Brasília.

CineVitor
A record of Libertai being selected for the third Fest Cine Pedra Azul.

FICNOVA
A dedicated film page in the FICNOVA official archive.

Cinema Escrito
A record of Libertai among the selected and nominated films at the first FIC RIO.

O Mundo Diplomático
Coverage of the Global Migration Film Festival showcase held at Cine Brasília.

Sesc/RS
An announcement for the Santa Cruz Film Festival online showcase, with Libertai in the selection.
Independent production
Libertai grew from an independent production. The team recorded images and interviews while travelling through Botswana and South Africa with a small crew and its own resources.
The cinematography keeps the environment and the people as active parts of the conversation. The edit structures Crawford’s account, while sound design, music and landscape support the film’s contemplative rhythm.
The work is also part of Dumela’s independent history. Alongside corporate projects, animation and campaigns, the studio makes room for documentaries that expand its visual language and capacity to listen.
EPK + IMDb
The EPK contains the synopsis, technical details, credits, poster and high-resolution images.

Dumela
Bill Szilagyi is a director, producer and partner at Dumela. He has worked in the creative industry since 2004 across directing, animation, editing and post-production. Alongside Cris Szilagyi, he develops corporate projects and independent films such as Autognose and Libertai.